WATERLOGG PRODUCTIONS: Podcast: The Jazz-O-Rama Hour,"The 78s of Illinois Jacquet"

Wednesday, May 6, 2015

Podcast: The Jazz-O-Rama Hour,"The 78s of Illinois Jacquet"

Wailing tenor sax will fill the air when the 78 RPM records of Illinois Jacquet will be heard on Joe Bev's Jazz-O-Rama Hour

The 78s of
Illinois Jacquet

Including:

1. Flyin' Home part 1 & 2
2. Hot Rod
3. Jacquet and No Vest (Savoy Blip)
4. Bottoms Up
5. Mutton Leg
6. Robbins' Nest
7. Big Foot
8. Jivin' with Jack the Bellboy
9. Black Velvet
10. Symphony in Sid
11. Big Dog (1947)
12. Jacquet Bounce
13. 12 Minutes To Go
14. Goofin' Off
15. King Jacqet








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Illinois Jacquet

Tenor saxophonist Jean-Baptiste Illinois Jacquet was an best remembered for his solo on "Flying Home" with Lionel Hampton, critically recognized as the first R&B saxophone solo. Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument.

Jacquet was born to a Sioux mother and a Creole father in Broussard, Louisiana and moved to Houston, Texas, as an infant, and was raised there as one of six siblings. His father, Gilbert Jacquet, was a part-time bandleader. As a child he performed in his father's band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his brother Linton played drums.

At 15, Jacquet began playing with the Milton Larkin Orchestra, a Houston-area dance band. In 1939, he moved to Los Angeles, California, where he met Nat King Cole. Jacquet would sit in with the trio on occasion. In 1940, Cole introduced Jacquet to Lionel Hampton who had returned to California and was putting together a big band. Hampton wanted to hire Jacquet, but asked the young Jacquet to switch to tenor saxophone.

In 1942, at age 19, Jacquet soloed on the Hampton Orchestra's recording of "Flying Home", one of the very first times a honking tenor sax was heard on record. The record became a hit. The song immediately became the climax for the live shows and Jacquet became exhausted from having to "bring down the house" every night. The solo was built to weave in and out of the arrangement and continued to be played by every saxophone player who followed Jacquet in the band, notably Arnett Cobb and Dexter Gordon, who achieved almost as much fame as Jacquet in playing it. It is one of the very few jazz solos to have been memorized and played very much the same way by everyone who played the song.

Joseph Bevilacqua
AKA Joe Bev & Mr. Jazzbo

Joe Bevilacqua (Joe Bev) has been producing radio in many genres since 1971 when he was 12. At 19 in 1980, Bev became the youngest person to produce a radio show for public radio. He co-hosted The Jazz Show with Garret Gega in the early 80s, a four hour a week mix classic jazz and comedy. Bev also worked for WBGO, Jazz 88 in Newark, NJ and produced documentaries for WNYC New York Public Radio on jazz legends including Louis Armstrong, Wynton Marsalis, Count Basie, Woody Herman, Cab Calloway, and Lionel Hampton.

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Louis Armstrong's New Orleans, with Wynton Marsalis:

A Joe Bev Muiscal Sound Portrait

by Joe Bevilacqua Narrated by Joe Bevilacqua, Winton Marsalis, Donald Newlove, Leonard Lopate, Louis Armstrong

Length: 59 min.

Veteran radio producer Joe Bevilacqua hosts this entertaining, informative hour, recorded in the French Quarter of New Orleans and featuring jazz great Wynton Marsalis, jazz author and historian Donald Newlove, WNYC Radio talk show host Leonard Lopate, members of the Preservation Hall Jazz Band, and others, on the origins of jazz, and the life and music of legendary trumpeter Louis Armstrong. Also featured is the music of Armstrong throughout his long career, and rare recordings, including audio from a 1957 CBS TV documentary with Edward R. Murrow.

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Joe Bevilacqua, also known as Joe Bev, is primarily known as a radio theater dramatist, but his career has taken him into every aspect of show business, including stage, film, and television, as a producer, director, writer, actor, and even cartoonist. In 1971 his father bought him a cassette recorder, on which he created his first audio story, Willoughby and the Professor, acting all the voices himself at the age of twelve. In 1975 Daws Butler, the voice of Yogi Bear and many other Hanna-Barbera and Jay Ward cartoon characters, dubbed himself Bevilacqua’s personal mentor after hearing a 120-minute cassette of Willoughby improvisations. Since 1980 Bevilacqua has produced many award-winning radio programs for National Public Radio, Sirius-XM Satellite Radio, and others. HEAR ALL OF OUR PODCASTS IN ONE PLACE!

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The 3rd Daws Butler Collection: Incredibly More from the Voice of Yogi Bear	Yogi Comes to Camp Waterlogg: A Comedy-O-Rama Special	Old-Time Radio Parodies: The Best of the Comedy-O-Rama Hour, Season Two	The Best of BearManor Radio, Vols. 1–5