"A Cosmopolite in a Café"
& Anton Chekhov's
"The Bear"
will be brought to life on the 29th edition of The Joe Bev Experience, airing Saturday, February 2 at 4:30 pm ET / 1:30 pm, right after Joe Bev's Comedy-O-Rama Hour and Jazz-O-Rama Hour (part of "The Joe Bev 3-Hour Block" starting 2:30 pm ET) on www.CultRadioAGoGo.com.
The Joe Bev Experience is a weekly radio hour anthology series representing the depth and breath of Bev's 40-plus year career in audio storytelling, from documentary to radio drama, and new and classic installments of Bev's older radio show Cartoon Carnival (still heard on many stations).
First Joe Bevilacqua (Joe Bev) reads "A Cosmopolite in a Café," a funny and quotable short story about a world traveler. Few people are familiar with the name William Sydney Porter (1862-1910), but, just as many remember Mark Twain and not Samuel L. Clemens, Porter is well known by the pen name O. Henry. And O. Henry became known as a master of surprise, with witty short stories that trade on wordplay and surprise twist endings that have become standard fare in the century following his death.
Then, Bevilacqua's own characters, Willoughby and the Professor visit the Brazilian rain forest.
Last, will be "The Bear," the classic one-act play by Anton Chekhov, produced, directed, and adapted by Joe Bevilacqua. Written in 1900, The Bear is one of the great works of Anton Chekhov, about the strange beginnings of love between the recently widowed Mrs. Popov and Grigory Stepanovich Smirnov. In Russian the word for "bear" which has two meanings: an animal or a rather rude, clumsy, awkward man. The play is alternately titled The Boor. The fine cast includes Cathi Tully, Bob Miller, and the late William Duff-Griffin.
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"O Henry’s fascinating Cosmopolite lends itself to several insightful meanings and interpretations especially in times like ours when the world is being aggressively shaped by conflicting trends of globalization and identity. There is a widespread surge of powerful expressions of ethnic, regional and cultural identity that challenge globalization, peace and cosmopolitanism." - http://brooklynbooktalk.blogspot.com
"Descendents of Laurel and Hardy and Holmes and Watson, among others, Willoughby and the Professor bring radio listeners along on a series of adventures, often in exotic lands and always in the more exotic land of the imagination. Judging from the hundreds of letters WNYC Radio has received about 'Willoughby,' a couple of characters who can go anywhere in the world while remaining inside the listener's radio and head is just the ticket." (David Hinckley, New York Daily News)
"There's not a whole lot of comedy on radio these days. We chose to add 'Willoughby and the Professor' to our Contemporary Radio Humor collection because it is unique. One person does all the voices. Bevilacqua was a student of Daws Butler, a master of cartoon voices. It is a very interesting program." (Ken Mueller, Radio Manager, The Museum of Television and Radio)
"13,000 Roaches in a Box. For most artists working in radio theatre, the projects tend to be group efforts, with actors, a producer and director, writers, engineers, and sound effects personal. But Joe Bevilacqua is producing a successful radio theatre series almost single-handedly. The great part about radio theatre is you can portray 'any subject in any location in any circumstance, from another part of the world to the past to another dimension. you can create a whole world unto itself'. For example, in one episode, there was a box full of 13,000 roaches and, through a mishap, the box exploded. Even in TV or film, Bevilacqua asks, how could you have 13,000 roaches raining down?" (Amy Hersh, Backstage)
Comedy-O-Rama Hour |
27 weeks ago, the veteran voice actor added his third hour for Cult Radio, called The Joe Bev Experience which airs right after The Jazz-O-Rama Hour.
Bevilacqua is a veteran radio theater producer and voice actor. He also works on stage and is the winner of the 2012 New York TANYS Award for Excellence in Acting. He has performed at the Improv, Caroline's on Broadway, Catch a Rising Star, the Comic Strip, opened for Uncle Floyd, worked with Al Franken, Shelley Berman, Louis Black and Rick Overton. Joe has also MC'd shows featuring Jerry Seinfeld, Bill Mahr and Gilbert Gottfried. He has been regularly heard on National Public Radio and Sirius-XM Radio and has produced hundreds of hours of audiobooks.
Hundreds of hours of audio titles from Waterlogg Productions are available at http://www.waterlogg.com.
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